“What do you kill a spider with?”
He hunts around the apartment for something to use. The house spider inches across the screen of the television. In the darkened room of his apartment, each of the house spider’s legs casts a hairy eight-point silhouette behind the transmission of Access Hollywood.
“A-HA!” he exclaims, “A newspaper.” The gentleman snatches the pages from under a leg of his coffeetable; the table has uneven legs. After he’d rolled up the pages into a suitable weapon and made his way to the screen, he looked at the house spider. It is content to use the warmth of the screen as an extension of its thorax, or whatever.
“I’ll spare it,” says the gentleman on second thought, trapping it between the paper and a drinking cup.
After a bit of confusion with dealing with his front door and the trapped spider, he sets the cup on the ground and taps it over with his shoe.
The light of the setting sun outside startles the spider, and it circles the perimeter of the newspaper not sure of what to do. He looks down at it; he bends over to get closer; he inspects it a little more; he wonders just what kind of spider it is, anyway.
“Cool,” he says to himself. Then, up jumps the spider and sinks two venomous fangs into the gentleman’s forearm.
“Crickey!” he yells, smashing the spider to pulp on his wrist. The instant he cleared away the pulp he saw a few veins of blackness extending into his bloodstream, or whatever. He whispers: “Crickey.”
In a panic, he spots someone driving by; he flags the car down.
“Hey, I was just bit by a spider,” he says to the driver, a man who is interested in
various forms of media and would later die in Toronto in 1980. “I don’t know what kind of spider it was. You think you could drive me to Poison Control?”
“Of course. Hop in,” says the media enthusiast.
They drive along for a few moments and get through the panicked details of the spider bite.
“So, what do you feel?” the media enthusiast asks, “sense-wise.”
“Well, it hurts,” the gentleman says, keeping an eye on that nasty bite.
“I’ve often thought about letting a spider or snake bite me. I wonder how different poisons would affect the senses.”
“Well right now it just hurts.”
“Can you talk well?” the media enthusiast asks. The gentleman just looks at the bite. “I mean, does it feel like the other senses are blocking your ability to communicate verbally?”
“Umm, I don’t think so. I am feeling a little numbness in my fingers,” the gentleman says, raising his arm above his head. “I should probably put my arm up above me.”
Stopped at a red light, the media enthusiast says: “See, as our senses become stimulated by more and more media — like us talking here — then our participation in the process of communication becomes lessened and we become further hypnotized by that to which we’re paying attention. If the poison coursing through you is activating those senses without your control, you’re probably experiencing a heightened form of synesthesia, which might negate some assumptions dealing with hot and cold media.”
“Whaa?”
“Because your senses are being filled in constantly by myriad variations of a unique sensory experience, your mind wouldn’t feel the need to “fill in” — so to speak — more information about an experience you get from a cold medium.”
“Hey, the light is green.”
“Perfect! You’re able to make an accurate report from the outside world using your sense of sight, and relay that through our combined extension of our feet — my automobile! Fascinating!” The media enthusiast steps on the accelerator. “So I guess you’re not hallucinating yet, which is a good sign that you’re still experiencing all our cold media in a low-definition state.”
“Actually, I’m starting to feel a little hot, a little light-headed, … and thirsty,” the gentleman says. “I’m on fire.”
“It’s OK, we’re almost there. Say, what happened anyway?”
The gentleman swallows. His throat feels tight. “Spider just jumped up and bit me.”
“Yeah, I already know that. Tell me the details.”
The gentleman’s head sinks against the passenger window. “I trapped the spider under the cup, …”
After a moment the media enthusiast says: “hmm, it seems to me that the traumatic event of the spider biting you has lead to a fragmentation of the experience. That is, that your central nervous system has blocked, or chunked senses to make the experience coherent. Does this seem about right to you?”
“I can’t move,” the gentleman whispers through the folds of his swelling throat.
“Yes. I diagnose that you’re CNS is cutting off senses so as to streamline the intense experience of a spider bite. Yes, like I wrote a while ago: ‘The central nervous system acts to protect itself by a strategy of amputation or isolation of the offending organ, sense, or function.’ Page 42 of my book …”
“Please help me.”
“Don’t worry, your senses will come back after the shock has subsided.”
At the counter of the Poison Control center, the media enthusiast holds up the gentleman, and the two talk with the receptionist.
“I was bit by a spider,” the gentleman says, clearly fatigued.
“He was bit by a spider,” the media enthusiast reiterates.
“OK, let me pull up some information. And quickly, go with our physician,” says the receptionist. And they’re off. As fast as technology can integrate a human being into a bundle of senses chained to a computer, which in turn stimulates those senses and in effect hypnotizes the media consumer, the gentleman is fitted with several machines to monitor heart rate, blood pressure, kidney function and etcetera.
“Gee, these devices are incredible,” says the media enthusiast to the physician, who doesn’t look amused and is filling out a chart. The media enthusiast turns to the gentleman, who seems to be slipping in and out of consciousness. “But you have to remember that these are all only extensions to get you through. Remember, you are yourself and you shouldn’t let these things hybridize so close to you as to substitute for function. ‘As long as we adopt the Narcissus attitude of regarding the extensions of our own bodies as really out there and really independent of us, we will meet all technological challenges with the same sort of banana-skin pirouette and collapse.’ ”
The media enthusiast peels back the flaps of a banana and takes a bite. “Page 68 of my book. While you are hybridized with these technologies for the moment, just remember: as long as you recognize that you’ve been bitten by a spider and that you’re kidneys have failed, you’ll be fine.”
“You know, he wouldn’t need that kidney machine if he would have gotten here sooner,” the physician says. “And I will need someone to either fill out an insurance form or hand over $5,000.”
“Perhaps I can interest you in a barter. In fact, I’ve quite a few books in the back of my car — mine. I’ll give you a few and we’ll call it even.”
“Nope. We accept cash, check or credit card.”
“Ahh, there I can help you. See: ‘As work is replaced by the sheer movement of information, money as a store of work merges with the informational forms of credit and credit card. From coin to paper currency, and currency to credit card there is a steady progression toward commercial exchange as the movement of information itself. (page 137)’ I’ll pay you with the information in this book here. And if you value information as I do you can recognize that it’s a valid form of currency. Additionally, by transferring a mutually valuable item our bonds of interconnectivity with tighten. And the next time I get bit by a spider then I’ll be sure to come to you.”
“And what! Pay me with more books? I value cold hard cash.”
“Well my friend, this is where we part. While I wish you well through my vocal medium here, I am afraid that I cannot wish you well using the tactile instrument of gathering wishes — my money. So long!”